valentina, twenty, classic film, attractive dead people, foreign cinema, black&white pictures, i like the old, i like the new, and i love amna more than you. i lead a jessica chastain appreciation life. my rachel weisz. +. formerly emmanuelleriva

two girls &  sailor(s) online.
Reblog
Permalink
681 notes
John F. Kennedy, Jacqueline Kennedy and Caroline Kennedy, at Hyannis Port, Massachusetts, photographed by Mark Shaw, 1959.

John F. Kennedy, Jacqueline Kennedy and Caroline Kennedy, at Hyannis Port, Massachusetts, photographed by Mark Shaw, 1959.

Reblog
Permalink
332 notes

Catherine Deneuve, 1965. Photo by Jeanloup Sieff

Catherine Deneuve, 1965. Photo by Jeanloup Sieff

Reblog
Permalink
204 notes

Marilyn Monore attending an Actor’s Studio benefit at the Roseland Ballroom, New York, 1961

Marilyn Monore attending an Actor’s Studio benefit at the Roseland Ballroom, New York, 1961

Reblog
Permalink
62 notes

Dorothy Lamour in New York for the Premiere of For Whom the Bell Tolls, July 1943

Dorothy Lamour in New York for the Premiere of For Whom the Bell Tolls, July 1943

Reblog
Permalink
3,623 notes
heres-looking-at-you-kid:

Brigitte Bardot and Alain Delon.

heres-looking-at-you-kid:

Brigitte Bardot and Alain Delon.

Reblog
Permalink
1,061 notes
Brigitte Bardot, 1952.

Brigitte Bardot, 1952.

Reblog
Permalink
784 notes

He’s a timeless presence.  From the beginning of rock & roll, there’s always been this dark figure who never really fit.  He’s still the quintessential outsider.  In the hip-hop world you see all these bad-boy artist swho are juggling being on MTV and running from the law.  John was the originator of that. –Rick Rubin

He’s a timeless presence.  From the beginning of rock & roll, there’s always been this dark figure who never really fit.  He’s still the quintessential outsider.  In the hip-hop world you see all these bad-boy artist swho are juggling being on MTV and running from the law.  John was the originator of that. –Rick Rubin

1320

It’s hilarious, the problems that arise when you’re on the set. It’s really funny because you make a complete fool of yourself. I think I know how to use dissolves, the grammar of cinema. But there’s only one place for the camera. That’s the right place. Where is the right place? I don’t know. You get there somehow. - Martin Scorsese