valentina, twenty, classic film, attractive dead people, foreign cinema, black&white pictures, i like the old, i like the new, and i love amna more than you. i lead a jessica chastain appreciation life. my rachel weisz. +. formerly emmanuelleriva

two girls &  sailor(s) online.
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Pre-Code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920s and the enforcement of the Motion Picture Production Code (usually labeled, albeit inaccurately after 1934, as the “Hays Code”) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become rigorously enforced until July 1, 1934. Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.

As a result, films in the late 1920s and early 1930s included sexual innuendo, miscegenation, profanity, illegal drug use, promiscuity, prostitution, infidelity, abortion, intense violence and homosexuality.

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Bette Davis in The Letter (1940).

Bette Davis in The Letter (1940).

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oldhollywood:

Jeanne Eagels in The Letter (1929, dir. Jean de Limur)
“My retribution is greater. With all my heart, I still love the man I killed.”
-W. Somerset Maugham, The Letter (1925)

oldhollywood:

Jeanne Eagels in The Letter (1929, dir. Jean de Limur)

“My retribution is greater. With all my heart, I still love the man I killed.”

-W. Somerset Maugham, The Letter (1925)

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stardustmelody:

Five Favorite Bette Davis Films

→ The Letter (1940)

Leslie Crosbie: With all my heart, I still love the man I killed!

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320

Bette Davis in The Letter (1940)

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errolivio:

I love the opening to this film, it’s so dramatic and very impressive! I love it!

errolivio:

I love the opening to this film, it’s so dramatic and very impressive! I love it!

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presentinglilymars:

Bette Davis in The Letter (1940).

presentinglilymars:

Bette Davis in The Letter (1940).