valentina, twenty, classic film, attractive dead people, foreign cinema, black&white pictures, i like the old, i like the new, and i love amna more than you. i lead a jessica chastain appreciation life. my rachel weisz. +. formerly emmanuelleriva

two girls &  sailor(s) online.
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Audrey Hepburn during a break on the set of Sabrina with costume designer Edith Head, photographed by Mark Shaw, 1953.

Audrey Hepburn during a break on the set of Sabrina with costume designer Edith Head, photographed by Mark Shaw, 1953.

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terrysmalloy:

Audrey Hepburn photographed by Leo Fuchs, 1958.

terrysmalloy:

Audrey Hepburn photographed by Leo Fuchs, 1958.

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“If there was anything going on, it didn’t last long because most of our time was taken up with work. It’s true that I had an enormous crush on him. But I was engaged at the time and I even had my wedding gown hanging in the wardrobe of my Roman hotel room. And Greg was married to Greta. I knew he wasn’t happy, that his marriage was not good even though they had three lovely children. Maybe he did feel something for me, maybe there was a little chemistry between us that made our scenes work. I was in Rome, being treated like a princess, and it was not difficult for me to believe I was the princess in the film, and it was not difficult for me to believe I was in love with Gregory Peck. You have to be a little bit in love with your leading man and vice versa. If you’re going to portray love, you have to feel it. You can’t do it other way” 
- Audrey Hepburn’s response to rumors of aromantic attachment to her Roman Holiday leading man Gregory Peck

“If there was anything going on, it didn’t last long because most of our time was taken up with work. It’s true that I had an enormous crush on him. But I was engaged at the time and I even had my wedding gown hanging in the wardrobe of my Roman hotel room. And Greg was married to Greta. I knew he wasn’t happy, that his marriage was not good even though they had three lovely children. Maybe he did feel something for me, maybe there was a little chemistry between us that made our scenes work. I was in Rome, being treated like a princess, and it was not difficult for me to believe I was the princess in the film, and it was not difficult for me to believe I was in love with Gregory Peck. You have to be a little bit in love with your leading man and vice versa. If you’re going to portray love, you have to feel it. You can’t do it other way”

- Audrey Hepburn’s response to rumors of aromantic attachment to her Roman Holiday leading man Gregory Peck

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1954: Audrey on the set of Sabrina.

1954: Audrey on the set of Sabrina.

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Audrey Hepburn & William Holden on the set of ‘Sabrina’, 1953.

Audrey Hepburn & William Holden on the set of ‘Sabrina’, 1953.

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Audrey Hepburn photographed by Mark Shaw, 1953.

Audrey Hepburn photographed by Mark Shaw, 1953.

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Audrey Hepburn is photographed by Mark Shaw as she reads her lines on the way to the set of Sabrina, 1953

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Audrey Hepburn & Humphrey Bogart on the set of ‘Sabrina’ with director Billy Wilder, 1954.

Audrey Hepburn & Humphrey Bogart on the set of ‘Sabrina’ with director Billy Wilder, 1954.

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Peter O’Toole and Audrey Hepburn in Paris during the filming of How to Steal a Million (1966). Photo by Terry O’Neill

Peter O’Toole and Audrey Hepburn in Paris during the filming of How to Steal a Million (1966). Photo by Terry O’Neill